19TH CENTURY GOLD GILT BRONZE DEMETRE H CHIPARUS SIGNED NEWSPAPER BOY STATUE

Description

Royal House Antiques

Royal House Antiques is delighted to offer for sale this stunning late 19th century Paris France made by the genius that was Demetre H Chiparus gold gilt bronze statue of a Newspaper boy

This piece is absolutely exquisite, it has a wonderful patina and looks super decorative in any setting

The condition is sublime for the age, it has the look and feel that collectors die for 

If your familiar with Chiparus’s work you will see his pieces for sale past the mid tens of thousands of pounds, he is a highly coveted sculptor 

The base is stamped to the rear

Dimensions

Height:- 24cm

Width:- 13cm

Depth:-10cm

Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask

Any questions please feel free to ask before you bid   

Demétre Haralamb Chiparus (Romanian: Dumitru Haralamb Chipăruș; 16 September 1886 – 22 January 1947) was a Romanian sculptor of the Art Deco era who lived and worked in Paris, France. He was one of the most important sculptors of the time.

Demétre Chiparus, born as Dumitru Haralamb Chipăruș[1] in Dorohoi, Romania, was the son of Haralamb and Saveta Chipăruș. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the École des Beaux-Arts to pursue his art at the classes of Antonin Mercie and Jean Boucher.[2] Demétre Chiparus died in 1947, suffering a stroke on returning from studying animals at the zoo in Vincennes.[2] He was buried in Bagneux Cemetery, just south of Paris

The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children.

The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre,[2] and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen’s tomb was excavated.

Chiparus created one of the most iconic bronzes in 1928 called “Danseuse au cerceau” or “Ring Dancer” inspired in the famous and prodigious dancer Zoula de Boncza of the Parisian “Folies Bergère”, a first dancer of The Belgrado Royal Opera and a Mime dancer of “l’Opéra-Comique” in Paris. Later in life de Boncza, a descendant of Polish nobility and one of Loie Fuller best students, created a book published in 1961: the dance method “La Danse classique sans barre”. The book was published with texts from Eugène de Rijac and illustrations by Alexandre Berlant and Yvonne Breton.

He worked primarily with the Edmond Etling and Cie Foundry in Paris owned by Edmond Etling and administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry who constantly worked with Chiparus and produced the sculptures cast from his models. He based many of his works on the ballet and the theatre, one particular theme being the Ballets Russes from which resulted “The Russian Dancers” depicting Vaslav Nijinsky and Ida Rubenstein in that role in Schéhérazade.[2]

Chiparus rarely exhibited at the Salon. In 1923 he showed his “Javelin Thrower” and in 1928 exhibited his “Ta-Keo” dancer, which was edited by the manufacture Friedrich Goldscheider. During the period of Nazi persecution and World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened.

For a time in the early 1940s almost no works of Chiparus were sold but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures “Polar Bear” and “American Bison” were exhibited and in 1943 he showed a marble “Polar Bear” and plaster “Pelican”.

Sculptures of Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev’s Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers.[2] For example, faces of “Persian Dance” figures reveal the likenesses of Nijinsky and Rubinstein, and the dress in “Starfish Girl” exactly reproduces the sketch for Goldfish’s dress from the ballet “Underwater kingdom” by Lev Annensky. Chiparus could have been influenced by Russian ballets indirectly, through the performances of French music halls and cabarets which bore traces of the strong impact of Russian ballet. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time.

After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt and the East came to French fashion, and was also reflected in the creative activity of Chiparus. Several sculptures by Chiparus and Claire Colinet represent Queen Cleopatra and Egyptian dancers. The sculptures of Chiparus reflect his time and 1920-1930s sentiment of “folle”. Coming from the oldest French tradition of high-quality and extra-artistic decorative arts, the sculptures of Chiparus combine elegance and luxury, embodying the spirit of the Art Deco epoch.

Collector interest in the work of Chiparus appeared in the 1970s and has flourished since the 1990s. A major collection of Chiparus’ work is on display in the permanent collection of Casa Lis, the Art Nouveau and Art Deco museum in Salamanca, Spain.

 

ABOUT US

Royal House Antiques is a privately owned family ran business founded in Wimbledon SW19 and now based in Pulborough RH20. We specialise in finding, restoring very fine luxury antique leather seating, along with every single other type of antique ranging from the 16th century to the 20th century. We also stock a number of designer brands such as Fritz Hansen, Ralph Lauren, Cavalli, Charles & Ray Eames, Vitra, David Linley, Rolex, Tiffany, Jager Le Coulter and so on     

 

PAYMENTS

We accept payment via Bitcoin, Bitcoin cash, Ethereum, Bacs, Chaps, PayPal or Card, we would kindly ask that all items are paid for within 48 hours and collected within 7 working days, we can hold all paid items for 14 days free of charge, there after a £20 a week storage fee will apply. We have long term storage which is very economically priced, we are happy to hold stock for as long as needed providing it is arranged prior to the purchase 

If sold items aren’t collected within three months and no arrangements have been made for long term storage you will forfeit the item and payment

 

CONDITION

Please view the very detailed pictures as they form part of the description pertaining to the condition. Please also ask any questions before you bid and not after, all of our items are sold as seen and as listed

Royal House Antiques cannot be held liable for any independent assumptions made regarding the items we sell, if you are unsure on any point, please feel free to ask for clarity  

Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade   

 

IMPORT DUTY

Most countries charge some kind of import duty however almost all of our items won’t incur any charges as the items are exempt from tax due to the age and materials used

For European deliveries the price you will be quoted will include all clearance documentation and any customs charges so there won’t be any additional fees

For international deliveries such as the United States there can be some import duty to pay and or a clearance fee, I would estimate that 99% of all deliveries clear customs without being stopped for either

All duties are the responsibility of the purchaser who is the importer, they can’t be covered by the seller or shipping agent or factored in with additional retrospective discounts

 

RETURNS

Royal House Antiques offers a no quibble return policy if the item is not as described, if there are any issues with the piece you will be refunded in full once the item has been returned and inspected within 14 days, alternatively if there is a small issue, we can discuss finding a mutual resolution that makes all parties happy

We don’t offer a sale on approval service which means you can purchase the item, have it delivered and if you simply don’t like it, return it, this comes under change of mind or doesn’t fit. There is a lot of time, money and work involved in transporting goods around the world, the costs incurred can be vast so my advice would be if you are unsure on a piece please ask as many questions as you like to make sure you understand everything before you buy, if you are still unsure then please either arrange a viewing in person or if that’s not possible then don’t buy from an online retailer, perhaps look for a local gallery instead