ANTIQUE LION GRIFFON CARVED ITALIAN 1860 MONKS SETTLE BENCH INTERNAL STORAGE

Description

Royal House Antiques

Royal House Antiques is delighted to offer for sale this stunning hand carved circa 1860 Monks oak settle bench with internal storage from the north of Italy depicting Lions, Griffons and a coat of arms with hunting scenes to the back and base

Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price

A very good looking and well made hall bench, its a Monk Settle which is very popular and collectable, you often see them in hallways and the under seat storage is used for shoes and so on 

It is a bit of a tour de force in terms of craftsmanship, you have a large griffon carved coat of arms to the top, lions for the arms with some kind of gothic figure head and toes for the feet, the back and base panel as mentioned depict a very detailed hunting scene, this is pure art furniture 

In terms of condition the timber has been lightly cleaned hand condition waxed and hand polished, it has a wonderful period patina to it 

Dimensions

Height:- 134cm

Width:- 108cm

Depth:- 51.5cm

Seat height:- 52cm

Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask

Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures.

Biography

He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon’s working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini’s baldacchino in the Basilica of St Peter’s.

His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini’s Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized blackamoor gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon’s work.

His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca’ Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon’s elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space.

Brustolon’s walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon’s chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and moors carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc.

The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, moors and reclining river-gods (see ref.).

For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra.

In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon’s preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel, integral with scrolling barocchetto stands, were in the collection of Justus Liebig (Liebigshaus, Frankfort). An altarpiece, c. 1720, is at the Victoria and Albert Museum, London.

He died in Belluno in 1732.

Valentino Panciera Besarel (1829-1902) was Andrea Brustolon’s great heir of the Nineteenth Century in wood carving; he presented himself as Brustolon’s natural successor and alter ego. He studied from 1855 to 1857 in Venice and his career developed the most in there and in Belluno, although it was also turned to countries beyond the Alps. He applied in furniture and in ecclesiastical and secular decoration, showing his talents in furniture and frames making.

References:

Catalogue by Massimo de Grassi, Valentino Panciera Besarel, Verona, 2002) and was the subject of a monograph, Giovanni Angelini, Gli Scultori Panciera Besarel (Belluno 2002).

Biasuz G., and Buttignon M.G., 1969. Andrea Brustolon (Istituto Veneto Arti Grafiche) 1969

Gonzales-Palacios, Alvar, 1967. Il mobilio del ‘700 veneto

Semenzato, G., 1967. La scultura veneta del Seicento e del Settecento (Turin: Alfieri)

Valcanover, F., 1960. Indice delle opere d’arte della città e provincia di Belluno (Venice)

Biasuz, G., and E. Lacchin, 1928. Brustolon, preface by U. Ometti (Venice: Zanetti)

Any questions please feel free to ask before you bid.   

 

ABOUT US

Royal House Antiques is a privately owned family ran business founded in Wimbledon SW19 and now based in Pulborough RH20. We specialise in finding, restoring very fine luxury antique leather seating, along with every single other type of antique ranging from the 16th century to the 20th century. We also stock a number of designer brands such as Fritz Hansen, Ralph Lauren, Cavalli, Charles & Ray Eames, Vitra, David Linley, Rolex, Tiffany, Jager Le Coulter and so on     

 

PAYMENTS

We accept payment via Bitcoin, Bitcoin cash, Ethereum, Bacs, Chaps, PayPal or Card, we would kindly ask that all items are paid for within 48 hours and collected within 7 working days, we can hold all paid items for 14 days free of charge, there after a £20 a week storage fee will apply. We have long term storage which is very economically priced, we are happy to hold stock for as long as needed providing it is arranged prior to the purchase 

If sold items aren’t collected within three months and no arrangements have been made for long term storage you will forfeit the item and payment

 

CONDITION

Please view the very detailed pictures as they form part of the description pertaining to the condition. Please also ask any questions before you bid and not after, all of our items are sold as seen and as listed

Royal House Antiques cannot be held liable for any independent assumptions made regarding the items we sell, if you are unsure on any point, please feel free to ask for clarity  

Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade   

 

DELIVERY OR COLLECTION

This item is available for collection from our Pulborough warehouses RH20-1DF by appointment only, alternatively we can have it delivered nationwide to include Scotland, Wales and Ireland for a fee

Please contact me via email, alternatively my contact information is under the business seller section of the listing, with your postcode for a delivery quotation, as mentioned above the fee listed covers with the M25 for the UK, for international deliveries the amount listed covers local Europe only so parts of Belgium and France

Please be sure to include which item you would like to buy as the price is determined on size and distance, if you would like more than one piece of furniture the courier offers a substantial discount on the second and third item, for international shipping please view the below information   

  

COURIER, LARGE ITEMS ONLY THAT CAN’T BE POSTED

We can arrange delivery nationwide, mostly with our nominated couriers, for Europe we use one reasonably priced professional company that we trust, for the rest of the world we use international shippers that can send any size item crated via air freight within 7-14 days after crating or soft packed and container shipped via sea freight within 30-60 days. The time frames outlined are guides only, non-domestic shipping is almost entirely governed by the airlines, sea freight loading times and custom clearances

Whomever delivers will always require help on the larger items to unload, the price you will be quoted will always be based on this assumption, if this is not possible, please let us know as it will affect the price to send a two-person team

Delivery is to the ground floor only, again if you need help upstairs or in flats etc that’s absolutely not a problem, the couriers charge £10-£20 per flight per man per item, if you have a working elevator then naturally there’s no additional fee

All courier fees are paid by yourself directly to the courier company, the contract for delivery is between yourselves the client and whichever courier you chose from those available I’m happy to accommodate your own courier after a cleared payment has been received, they need to book in a collection time with at least 24 hours notice, all collections must be made within 14 working days of the close of the sale unless agreed by prior arrangement  

 

IMPORT DUTY

Most countries charge some kind of import duty however almost all of our items won’t incur any charges as the items are exempt from tax due to the age and materials used

For European deliveries the price you will be quoted will include all clearance documentation and any customs charges so there won’t be any additional fees

For international deliveries such as the United States there can be some import duty to pay and or a clearance fee, I would estimate that 99% of all deliveries clear customs without being stopped for either

All duties are the responsibility of the purchaser who is the importer, they can’t be covered by the seller or shipping agent or factored in with additional retrospective discounts

 

RETURNS

Royal House Antiques offers a no quibble return policy if the item is not as described, if there are any issues with the piece you will be refunded in full once the item has been returned and inspected within 14 days, alternatively if there is a small issue, we can discuss finding a mutual resolution that makes all parties happy

We don’t offer a sale on approval service which means you can purchase the item, have it delivered and if you simply don’t like it, return it, this comes under change of mind or doesn’t fit. There is a lot of time, money and work involved in transporting goods around the world, the costs incurred can be vast so my advice would be if you are unsure on a piece please ask as many questions as you like to make sure you understand everything before you buy, if you are still unsure then please either arrange a viewing in person or if that’s not possible then don’t buy from an online retailer, perhaps look for a local gallery instead